Cinematography

Comercial

Year

2025

Cover
Cover

Cinematic

Coach Love / Lady Bird

Cinematography spec ad and title sequence that I created motivated by the traveling of light and its interaction with objects to convey different ideas. In the case of Coach love to add a feeling of luxury and romance through the dramatic feel of the light. In the case of ladybird it shows the passage of time and how somethings stay the same. This is a title sequence for the movie Lady Bird. I filmed all the footage using a Blackmagic Pocket Cinema Camera, and the post-production, including color correction, editing, and motion graphics, was completed in Premiere Pro and After Effects.

Cinematography spec ad and title sequence that I created motivated by the traveling of light and its interaction with objects to convey different ideas. In the case of Coach love to add a feeling of luxury and romance through the dramatic feel of the light. In the case of ladybird it shows the passage of time and how somethings stay the same. This is a title sequence for the movie Lady Bird. I filmed all the footage using a Blackmagic Pocket Cinema Camera, and the post-production, including color correction, editing, and motion graphics, was completed in Premiere Pro and After Effects.

Style Frames

I developed the style frames in Illustrator and then brought them into Photoshop for color correction. Once I was happy with how everything looked and felt more like a whimsical journey, I started thinking about how to create the transitions I had in mind. I realized that to really show that sense of traveling, I needed dynamic camera movement. That’s when I decided the best way to approach it was by turning the style frames into a 3D animation. The next step was to figure out how to match or even better the looks I had produced in 2D Into 3D.


Process


Process